Argumenta – Journal of Analytic Philosophy

Smith’s Film, Art and the Third Culture is dedicated to developing a naturalized aesthetics of film, and at the heart of his proposal for a methodological “triangulation” is the principle that our research should take serious account of three levels of analysis, each with its respective type of evidence: the phenomenological level, the psychological level, and the neurophysiological level. While Smith addresses many aspects of our perceptual, emotional, and cognitive engagement with movies within this framework, he rarely discusses what underlies our visual engagement with films: the fact that they…

In my paper I focus on psychologism in the theory of mental content and critically consider a variety of it—“intentional psychologism” (Pitt 2009)—that has recently entered the stage in the philosophy of mind literature. My aim is twofold. First, I want to provide a critical evaluation of this new variety of psychologism, considering in particular whether it is immune from (some of) the most famous classical criticisms. Secondly, I want to provide a diagnosis of what ultimately motivates the current revival of the “psychologistic attitude”. My aim in so doing…

The Phenomenal Concept Strategy is a popular strategy used to support physicalism in the realm of conscious experience. This Strategy accounts for dualist intuitions but uses the ways in which we think about our experiences to explain these intuitions in a physicalist framework, without any appeal to ontological dualism. In this paper, I will raise two issues related to the currently available versions of the Phenomenal Concept Strategy. First, most of the theories belonging to the Phenomenal Concept Strategy posit that phenomenal concepts are exceptional and sui generis concepts, and…