Argumenta – Journal of Analytic Philosophy

You are sitting in a fancy restaurant. After an extensively prepared, multi-course meal, out comes the dessert course: an unmodified but perfectly juicy, fresh peach. Many restaurants serve such unmodified or barely-modified foods, intending them to count as culinary art. This paper takes up the question of whether such unmodified foods, served in the relevant institutional settings, do count as culinary art. Drawing on debates about the metaphysics of art, I compare and contrast the case of unmodified food to Duchamp’s “Fountain” (1917), pointing out relevant similarities and differences between…

Conventional food systems are highly complex entities with numerous components that span the globe. Having an overabundance of parts creates ‘globalized opacity’, a condition wherein the sheer number of parts makes it incredibly challenging to see how these parts fit together. In turn, people cannot see how these systems help create and perpetuate social injustices in select instances. With this notion in mind, it should be no surprise that numerous issues require mitigation. Gaining a clear view of the nature of such problems could improve how food-justice researchers understand the…

Local food projects are steadily becoming a part of contemporary food systems and take on many forms. They are typically analyzed using an ethical, or socio-political, lens. Food focused initiatives can be understood as strategies to achieve ethical change in food systems and, as such, ethics play a guiding role. But local food is also a social movement and, thus social and political theories provide unique insights during analysis. This paper begins with the position that ontology should play a more prominent part in the analysis of local food movements,…

In this paper, I attempt to offer a new metaphysical account of recipes and to make sense of their relations with the authenticity of dishes. In doing so, I first show the untenability of any Platonistic characterisation of recipes, according to which recipes are universals instantiated by dishes. I do this by showing that recipes play a critical explanatory role for the sharing of culinary properties between dishes. That is, there are certain grounding relations between recipes and dishes that would not hold if recipes were Platonic universals. Then, by…

Distinguishing between food, food substitutes and supplements is common in everyday life and academic work. The aim of this paper is to analyze this distinction. The question is approached from the point of view of functions. The hypothesis reads as follows: “Food has several nutritional, culinary, social, cultural, aesthetic and other functions. These functions are necessary and sufficient for something to be food. Food substitutes and supplements, serve some, but not many, functions of food. Thus, food substitutes and supplements are not food”. The contemplations of the paper speak against…

This essay assesses the claim that model structures have features in common with narratology and fiction-making. It proposes that simulation—a form of modelling—is amenable to literary narratives which are hypermimetic, in the sense that their cognitive or material reception by the reader demands a phenomenology attained through the heightening of a mimetic secondary reality. Simulation models construct frames of reference for target systems through self-validating mechanisms, and the same is true of narratology. I specifically argue that the modelling of a world out of text, one which is written and…

In a series of recent papers we have developed what we call the DEKI account of scientific representation, according to which models represent their targets via keys. These keys provide a systematic way to move from model-features to features to be imputed to their targets. We show how keys allow for accurate representation in the presence of idealisation, and further illustrate how investigating them provides novel ways to approach certain currently debated questions in the philosophy of science. To add specificity, we offer a detailed analysis of a kind of…

An increasingly popular view holds that scientific modeling involves something akin to the imaginative construction of a fictional story along with its cast of fictional characters, not just the positing of entities (models) that yield a false but useful representation of their targets. The present paper focuses on the following problem for this view of models. If a model is a fiction how can it possibly be said to represent some aspect of the real world? How can the unreal represent the real, and in a way that allows modelers to…