Argumenta – Journal of Analytic Philosophy

This article defends literary cognitivism, the view that literature can convey genuine propositional knowledge, in the form of propositions which are (i) true (ii) justified and (iii) have aesthetic value because they convey such knowledge. I reply to familiar objections to this view, and reformulate it as the thesis that literary knowledge is a form practical knowledge that is only derivatively propositional. I attempt to apply some ideas to be found in Stanley’s and Williamson’s conception of knowing how. Literary knowledge is a kind of practical knowing how of propositions…

You are sitting in a fancy restaurant. After an extensively prepared, multi-course meal, out comes the dessert course: an unmodified but perfectly juicy, fresh peach. Many restaurants serve such unmodified or barely-modified foods, intending them to count as culinary art. This paper takes up the question of whether such unmodified foods, served in the relevant institutional settings, do count as culinary art. Drawing on debates about the metaphysics of art, I compare and contrast the case of unmodified food to Duchamp’s “Fountain” (1917), pointing out relevant similarities and differences between…

This essay assesses the claim that model structures have features in common with narratology and fiction-making. It proposes that simulation—a form of modelling—is amenable to literary narratives which are hypermimetic, in the sense that their cognitive or material reception by the reader demands a phenomenology attained through the heightening of a mimetic secondary reality. Simulation models construct frames of reference for target systems through self-validating mechanisms, and the same is true of narratology. I specifically argue that the modelling of a world out of text, one which is written and…

According to a recent philosophical claim, “works of fiction are thought experiments” (Elgin 2007: 47), though there are relevant differences, as the role of spoilers shows—they can ruin a novel but improve the understanding we can gain through a thought experiment. In the present article I will analyze the role of spoilers and argue for a more differentiated perspective on the relation between literature and thought experiments. I will start with a short discussion of different perspectives on thought experiments and argue that the mental-model view and the conception of…

In this paper, I present a conceptual connection between fictional disagreements and thought experiments. Fictional disagreements happen when two readers disagree about a fictional detail. The “great beetle debate” is a paradigmatic case. Nabokov once argued that Gregor Samsa, in The Metamorphosis, metamorphosed into a beetle. Yet many critics and readers imagine Gregor to be a big cockroach. Analysing a fictional disagreement is interesting because it exhibits the informational structure which is common to all fictions. First, it shows the distinction between the fictional foreground (what is expressed by the…

The issue of whether we can auditorily perceive meanings (or semantic properties) expressed in a language we understand has been approached through arguments based either on theoretical reasoning or the discussion of psychological effects. I am skeptical about the use of either type of argument. In this paper, I will first explain the limitations of the standard theoretical argument: the phenomenal contrast method. As for psychological phenomena, I will discuss semantic satiation and the Stroop effect. I will summarize why semantic satiation has already been dismissed and, based on said…