Argumenta – Journal of Analytic Philosophy

The article examines the ethics of musical interpretation, focusing on the performer’s responsibility in faithfully recreating a work from the score. Drawing inspiration from conductor Daniel Barenboim’s reflections (2016), it analyzes the delicate balance between personal expression and fidelity to the work, highlighting how interpretation involves not only technical skill but also moral responsibility. This notion develops through the importance attributed to history, authenticity, and the present in interpretation. These concepts are explored in the relationship between the score and the performer, addressing the ethical challenges involved in balancing fidelity…

Fictional characters may raise serious troubles about their identity even within one and the same story. Nabokov’s novel Pale Fire, for instance, depicts a world pretty much like ours, in which there seems to be no indeterminate identity, yet leaves it open whether the Shade character is the same as the Kinbote character. On the contrary, in Murakami’s The Wind-Up Bird Chronicle, there seems to be two characters, Kumiko and the Woman in the hotel room, that are indeterminately identical. Worse still, there are also cases of inconsistent identity: in…

Smith’s Film, Art and the Third Culture is dedicated to developing a naturalized aesthetics of film, and at the heart of his proposal for a methodological “triangulation” is the principle that our research should take serious account of three levels of analysis, each with its respective type of evidence: the phenomenological level, the psychological level, and the neurophysiological level. While Smith addresses many aspects of our perceptual, emotional, and cognitive engagement with movies within this framework, he rarely discusses what underlies our visual engagement with films: the fact that they…

This article defends literary cognitivism, the view that literature can convey genuine propositional knowledge, in the form of propositions which are (i) true (ii) justified and (iii) have aesthetic value because they convey such knowledge. I reply to familiar objections to this view, and reformulate it as the thesis that literary knowledge is a form practical knowledge that is only derivatively propositional. I attempt to apply some ideas to be found in Stanley’s and Williamson’s conception of knowing how. Literary knowledge is a kind of practical knowing how of propositions…

You are sitting in a fancy restaurant. After an extensively prepared, multi-course meal, out comes the dessert course: an unmodified but perfectly juicy, fresh peach. Many restaurants serve such unmodified or barely-modified foods, intending them to count as culinary art. This paper takes up the question of whether such unmodified foods, served in the relevant institutional settings, do count as culinary art. Drawing on debates about the metaphysics of art, I compare and contrast the case of unmodified food to Duchamp’s “Fountain” (1917), pointing out relevant similarities and differences between…

This essay assesses the claim that model structures have features in common with narratology and fiction-making. It proposes that simulation—a form of modelling—is amenable to literary narratives which are hypermimetic, in the sense that their cognitive or material reception by the reader demands a phenomenology attained through the heightening of a mimetic secondary reality. Simulation models construct frames of reference for target systems through self-validating mechanisms, and the same is true of narratology. I specifically argue that the modelling of a world out of text, one which is written and…

According to a recent philosophical claim, “works of fiction are thought experiments” (Elgin 2007: 47), though there are relevant differences, as the role of spoilers shows—they can ruin a novel but improve the understanding we can gain through a thought experiment. In the present article I will analyze the role of spoilers and argue for a more differentiated perspective on the relation between literature and thought experiments. I will start with a short discussion of different perspectives on thought experiments and argue that the mental-model view and the conception of…

In this paper, I present a conceptual connection between fictional disagreements and thought experiments. Fictional disagreements happen when two readers disagree about a fictional detail. The “great beetle debate” is a paradigmatic case. Nabokov once argued that Gregor Samsa, in The Metamorphosis, metamorphosed into a beetle. Yet many critics and readers imagine Gregor to be a big cockroach. Analysing a fictional disagreement is interesting because it exhibits the informational structure which is common to all fictions. First, it shows the distinction between the fictional foreground (what is expressed by the…